Datacolor Spyder5 is the color accuracy solution designed by photographers for photographers, to help them see, share and print their images, just as they intended. The 3 versions of Spyder5 - EXPRESS, PRO and ELITE – reduce the hassle of figuring out why digital photographs look different on screen, and why the colors on screen don’t match photo prints.

1. Datacolor Spyder5
2. Datacolor Spyder5pro

• Pros

  Easy to use. Supports monitors, projectors, and laptops. Multiple ambient light settings. Comprehensive on-screen help.

• Cons

  Pricey. USB cable is too short. No automatic brightness adjustments.

• Bottom Line

  With the Datacolor Spyder5Elite, you can calibrate all of your monitors, laptop screens, and projectors quickly and easily and keep them fine-tuned to ensure consistent color and gray-scale accuracy.

For photographers, graphics designers, and video editors, a well-calibrated monitor is an essential tool of the trade. Even if your display has been calibrated at the factory, it needs to be recalibrated every so often to ensure that the colors on your screen match your printed output and that all of your monitors are displaying accurate colors and gray-scale shades. Enter the Datacolor Spyder5Elite ($279), a monitor-calibration solution that uses hardware and software to analyze your desktop monitors, projectors, and laptop screens. It automatically adjusts your display's settings to provide consistent and accurate color and luminance levels and is a snap to use, but at $279 it's $110 more than our Editors' Choice, the X-Rite ColorMunki Display.

• $169.00
• $169.99
• $129.99

Design and Features
The Spyder5Elite consists of a colorimeter and a license for the Spyder5Elite software, which must be downloaded from Datacolor's website. The Spyder5Elite's colorimeter sports a different design than the Spyder4 PRO model, which has three legs and resembles a Klingon warship. This time around, it looks more like a hockey puck, with three shallow curves carved into its side. It has an ambient-light sensor on its face and a protective lens cover that snaps off and acts as a counterweight to keep the device flush against the screen. A tripod mount is embedded in one of the sides.

In addition to its new look, the Spyder5Elite offers a few other upgrades to its predecessor, including an enhanced optical engine that provides improved gamma response, and a smaller baffle that helps reduce the effects of ambient light. One thing that hasn't changed, unfortunately, is the length of the USB cable that connects the Spyder5Elite to your PC. As is the case with the Spyder4 PRO and the X-Rite ColorMunki colorimeters, the Spyder5Elite's 67-inch cable is a bit too short, especially if keep your PC on the floor under your desk like I do. I had to move my monitor to the edge of my desk in order for the cable to reach a USB port.

The Spyder5Elite software contains a wizard that walks you through each step of a calibration and offers extensive interactive on-screen help along the way. When you first fire up the software, you're given a choice of using the Step-by Step Assistant wizard, the Studio Match option, which helps you achieve consistency across all monitors attached to your workstation, or the Expert Console, which provides manual control over things like luminance values, gray balance, and white-point settings. The wizard offers three choices; ReCal (recalibrates the display), CheckCal (checks the accuracy of your current calibration), and FullCAL (performs a full calibration). Here, you can also select Gamma and Brightness settings, both of which offer presets and an option to enter your own value.

A full calibration takes around 5 minutes and begins with selecting your display type (Desktop, Laptop, or Projector). You are then asked to enter the manufacturer and model number and whether or not the monitor has brightness controls and Kelvin (White-Point) presets. The next screen displays the recommended Gamma, White Point, and Brightness settings for your display. In Wizard mode, the Brightness setting says Do Not Adjust because you must measure the room's ambient light first. As is the case with the Spyder4 Pro, the Spyder5Elite does not automatically adjust brightness; you'll have to do that manually using your display's function buttons until you come within 4 percent of the Brightness target. In contrast, the X-Rite ColorMunki will automatically reset your Brightness to the recommended calibrated value.

If your monitor is equipped with White-Point settings, the next screen tells you to set it to a specific value (6,500K is typical). At this point, you are instructed to place the colorimeter on the screen and click Next to begin the calibration. The software will display multiple shades of red, green, and blue colors and collect measurements for each. It will then go through a series of gray-scale measurements, from dark to light. It took 5 minutes and 10 seconds to complete my calibration in my tests, at which point the software created a profile with the new settings. Now you can name the profile (I used the monitor's model number). You can also set a Calibration Reminder for 1 or two days, 1 or 2 weeks, or between 1 and 6 months (or you can choose Never). Datacolor recommends recalibrating your monitor at least once a month.

Once the profile is saved, it is automatically activated. Now you can use the SpyderProof screen to compare 'before' and 'after' picture quality and use the SpyderTune screen to make further White Point, Gamma, or Brightness adjustments. The software offers 16 images to use for comparison or you can load your own custom images. You can compare your new profile to several industry-standard color gamuts on a CIE chart and view the monitor's CIE Color Coordinates, as well as before and after Brightness, White Point, and Gamma settings. If you have multiple monitors connected to a single PC, you can use the Studio Match utility to create optimal calibration targets that will work with each display and calibrate them all at the same time.

If you don't want to perform a full calibration, you can use the Display Analysis tool to perform individual tests for Color Saturation, White Point, Brightness and Contrast, Screen Uniformity, and Color Accuracy. Each test result can be saved and viewed in a graphical report on your PC.

Installation and Performance
Setting up the Spyder5Elite is a snap. First, download the software (Windows or Mac) from Datacolor's site. Ensure that the colorimeter (sensor) is not plugged in to your PC, then install the software. The first time you fire up the program you'll be asked to connect the Spyder5Elite to a USB port on your PC, at which point the device driver is installed. Hit Next and enter the sensor's serial number, which is located on the inside of the box, and then enter your name and email address. Once the online activation is completed (around 30 seconds), you're good to go.

I calibrated three different monitors with the Spyder5Elite using the Step-by-Step Assistant and all three benefitted from the calibration. Each monitor showed improved shadow and highlight detail and a muted brightness level that is ideal for my office lighting environment. Color quality appeared uniform across all three displays as well. Results were similar when I tested it on my Lenovo ThinkPad laptop's screen; colors appeared punched up, and highlight detail was noticeably sharper. Recalibration took around 2.5 minutes for each monitor.

Conclusion
With the Datacolor Spyder5Elite, you don't have to be an expert in color and gray-scale behavior to keep all of your displays calibrated. It uses intuitive software and a new and improved colorimeter to ensure that you get the best possible picture from your display by creating a custom profile that delivers accurate colors and luminance levels. It also offers an expert mode for users who require a calibration profile that meets professional-industry standards, and it can calibrate projectors, which is why it costs around $110 more than the Spyder4 PRO. If you can live without calibration charts, consider the X-Rite ColorMunki, our Editors' Choice. It also delivers precise monitor, laptop, and projector calibrations and offers a user-friendly interface with lots of on-screen help, and it's $110 dollars less expensive than the Spyder5Elite.

Datacolor Spyder5Elite

Bottom Line: With the Datacolor Spyder5Elite, you can calibrate all of your monitors, laptop screens, and projectors quickly and easily and keep them fine-tuned to ensure consistent color and gray-scale accuracy.

Datacolor Spyder5Elite review

Monitor and projector calibration, with ambient light measurement

The Spyder5Elite from Datacolor is the latest in a line of monitor calibrators that we’ve looked at over the years.

In this review, Keith looks at the new Spyder5Elite package (with info about the Pro and Express versions)

Update:Feb 2017 – The optional Spyder5Elite+ software upgrade package is reviewed.

The Spyder5Elite is the most advanced version of the Spyder5 range, adding projector profiling and a wider range of custom profiling and display analysis settings to what you get with the Spyder5 Pro. The testing was carried out using Apple Macs, but the software generally works in the same way on Windows PC machines.

We've reviews of many Datacolor products. See the Datacolor Category in the dropdown menu at the top of the right column.

There is a full comparison of the different monitor profiling packages from Datacolor in the summary section of this review

Monitor calibration

When you look at a picture on your monitor, how do you know that the colour blue in a sky you are seeing, is the one recorded by your camera?

If you get your image printed by a third party printer, then how can you be confident that the colours they see if they look at your image, will be the same as you see on your monitor?

What about the colour white on your screen? Is it an accurate representation of white? Is it too warm (yellowish) or too cool (bluish)

How do you know that the shadow detail you can see on the screen will appear in prints? If your monitor darkens shadows, then you might be inclined to lighten them. If you send this lightened image to be printed, then there is every chance that the shadows that looked fine to you on your monitor will be too light when printed.

Editing images on a monitor that hasn’t been profiled and calibrated leaves all your editing work built on foundations of sand.

There are many things you can do to improve the situation and be more confident that what you see on your screen is a good approximation to what your camera captured.

The first and most important step is however, calibrating/profiling your monitor.

There are lots more articles I’ve written, which go into a lot more detail about printing and colour management.

• Calibration and profiling – not the same thing Monitor calibration or monitor profiling? I probably know what you mean, but actually they are two different things. A short explanation for the usage of the terms that I -try- and stick to in reviews and when writing about colour management.
• Why don’t my prints match my screen? – A short article showing why there is more to getting your prints to match your screen, than just calibrating your monitor.
• Why are my prints too dark – some basic suggestions regarding this common problem.

The Main Changes with the Spyder 5

The most obvious change from the Spyder 3 and 4 devices is the new measuring device, or colorimeter

The old version was hardly flimsy, but this one just feels more solid.

The base detaches, and acts as a counterweight for when you hang the colorimeter over your screen to take measurements.

The measurement sensor is behind that fine grille.

The base also keeps dust out when not in use – treat it well and the Spyder 5 should give many years of service. The sensor has a soft pad around it, so should not mark any screens.

If you look at the top of the picture you can also see the 1/4″ standard tripod mount thread. You can use this when using the Spyder5 Elite to profile/calibrate projectors.

Datacolor themselves list the key features of the Spyder 5 Elite as:

• Spyder5 calibrates your monitor to an industry colour reference standard to ensure on-screen colours are accurate, greys and whites are consistent, shadow and highlight details are protected, and skin tones are true-to-life.
• Spyder5 is quick, easy and interactive, for use on laptops, dust-ups and front projectors.
• Guaranteed colour accuracy with the industry’s only patented 7-detector optical engine, making photo editing easier and providing better print matching
• Spyder5 delivers up to 55% improved tonal response at low luminance levels versus Spyder4, resulting in more accurate shadow detail and smoother gradients.
• Compact, to fit on any screen size, and portable, with a built-in lens cap to keep optics clean.
• See “Before and After” results of your calibration on either preset images or on your own photos (with Pro and Elite).

Given my previous experiences with using the various Spyder products, which have always worked very well, I was keen to see how the new sensor would perform.

What do you get

The device is supplied in a well made cardboard box and includes:

• Datacolor Spyder5Elite colorimeter
• Welcome Card with software download link and warranty registration
• Software Serial Number

Keep the box – it makes for a good way of storing your device.

The whole process of using the Spyder5 Elite really is as simple as the step by step guide below

The front of the unit has a sensor for measuring ambient light levels.

Ambient lighting is an important factor in getting best results from your system and is probably the biggest contributor, after overly bright monitors, to the question we often get asked ‘Why are my prints too dark?’.

In fact, asked so often that we’ve an article covering just this issue “Why are my prints too dark?”

The software needs downloading and activating, linked to the sensor serial number, so don’t lose that card that came in the box.

Note that this does not restrict you in using the sensor on just one machine – there is functionality (StudioMatch) in the software specifically aimed at getting a collection of monitors closely matched.

I get a lot of questions about the ‘right’ settings to use for screen calibration, and although I know some ‘experts’ disagree, I take the view that you should start with the default settings offered, and only look at changing them once you know -why- you want to change them.

The Spyder5 Elite is the model with most options in the software, but I realise that some people may get it just for the fact that it offers calibration of projectors, and not worry about all the other stuff.

The latest software continues in Datacolor’s tradition of offering really useful help functionality, and as I’ll show in some of the screen shots below, quite a bit of information about -why- you might want to use a setting or feature.

Spyder5Elite software – monitors

I tried the Spyder out on my MacBook Pro and Mac Pro Desktop.

The software is distinctly user friendly, and designed with the knowledge that many users may only fire it up every month or so to calibrate (or just check – it’s quicker) their screen.

There a few things to make sure of before starting

Even with modern LCD monitors, it’s best to leave them powered up long enough to ‘warm up’ – they do drift a bit.

Note the side help panel – this updates as you move your pointer around the screen.

First up – what to do…

For many users, the simple assistant or ‘Wizard’ based approach is just fine – I’ll show some more advanced features later.

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My Mac Pro has a second 14″ screen (over 10 years old) that is only 1024×768 resolution. I don’t use it for much more than tool menus and other things that clear up space on my main monitor.

It is smaller than the minimum screen size specified for the software, but by making sure the side help panel was collapsed I was able to use it perfectly well, and it calibrates just fine. There is also an option in the software preferences to’show netbook controls’ which helps use a small screen.

Once everything is ready to go, I start by selecting the type of display I’m using.

The software can identify and directly control some newer monitors, but my older kit here needs manual selection.

There are some notes for use with projectors later

As I mentioned, you can look at more detailed help information at any point in the software.

If you know what you’re doing, then there is a quick way to jump to particular settings or options that are available.

I might want to choose a specific set of settings for my monitor – you can save your own if they are not here.

If you choose a more advanced view then options are displayed in a meaningful way – as ever, help is available, or you can take the approach that if you’re not sure what something is, start with the suggested values…

The device has a light measuring sensor on the top that can be used to get an idea of how bright your surroundings are lit.

You can use this to suggest an appropriate screen brightness setting.

I work in fairly low lighting conditions, but the suggested settings are not what I’d choose.

In particular, my older monitors do not give particularly good performance at a low colour temperature such as the 5000K suggested.

5000K leaves a monitor that looks very warm and yellow to most people.

There are areas of use, particularly in the printing industry, where such settings may be appropriate, but not for most photographers like myself.

Datacolor Spyder5

For my own monitors 6500K and 100 cd/m work better, so I keep the settings I’ve chosen.

If your room is so dark as to have settings such as these suggested, I’d take it as a hint that you should address lighting levels in your work environment.

Similarly, if your room is too bright then the suggestion to push the display brightness upwards could well lead to dark looking prints (screen brightness being a prime cause of this).

Room lighting levels really do make quite a difference.

If you don’t have control over the levels, then be aware that your editing and evaluation of images could be adversely affected.

Note: On some Apple Macs, there is an option in the monitor preferences to auto-adjust screen brightness with ambient lighting levels. Turn this off, since any adjustment of screen brightness by the system (or other people) will effectively break your profiling efforts.

If you’ve never calibrated the screen before, then some extra measurement stages will occur, but if you are just checking a calibration or recalibrating a previously calibrated screen, the some data won’t have changed, so the process is a bit quicker.

The colorimeter needs to be in contact with the screen to measure it.

With my particular monitor, I need to manually set brightness to match a given value.

You’ll get this white screen … the colorimeter is hanging in front of it.

For this screen, I’ve the brightness control on the other monitor – newer screens may be controlled directly from the Spyder software, so you don’t need to adjust anything.

After setting the brightness, your screen will flash a number of colours whilst the software measures the light coming from the screen.

It’s this difference between what light the software tells the screen to produce and what light the device measures, that forms the basis for building a monitor profile/calibration.

The measuring process takes a few minutes. after which the software can go ahead and create a profile.

I give profiles specific names, since I’m always experimenting with different kit and software, but in reality, there is no need for this, just take what’s offered.

Whilst in some environments it may be important to re-profile quite often, monthly is fine for most people, unless you have other people using your monitor who are likely to change settings.

Profile creation takes a short while.

A basic check of how your monitor looks before and after profiling is available – if you really want to, then you can use your own images here (Spyder5 Elite only).

That’s it, your monitor is profiled – far quicker than it’s taken to read so far…

Expert Mode

If you go to the ‘expert mode’ you can configure all your profiling options in one place.

One area where the new sensor made a visible improvement was in shadow detail for my old Apple monitor.

Switching grey balance to the ‘better’ option increases calibration time but works for my old monitor. Just how this will be when I replace it with a newer one, is something I’ll have to check.

As I mentioned earlier, there are different ways of running the calibration.

There are other settings that may be of use for you…

My ‘standard’ settings are present in the expert console, so it’s a quick way of running the software.

You’ll note that I use 100cd/m rather than the default 120. That’s really just because I work in relatively low lighting levels. It’s also had the side effect that my monitor has aged very well.

The Spyder Utility

A small program is run on start-up, which monitors a connected Spyder 5 and will alert you when light levels change or re-calibration is due (or someone has messed with your monitor settings). You don’t need to keep your sensor plugged in if you don’t want ambient light measurement (and a warning if it has changed significantly).

Personally I remove the Spyder Utility from the start-up items on my computer, since I’m always doing a lot of test work, often for new products, and want to keep a relatively ‘clean’ machine for such work. The Spyder5 software works just fine without it.

I keep my Spyder5 out of the reach of dust and coffee spills in its box in my drawer.

Studio Matching

With only one computer I use for any serious editing, I’m not that bothered in matching it to any others in the office.

However, subject to the variation between different types of monitors, the StudioMatch system will help you keep monitors looking more similar. Remember though, that you can have two different monitors accurately calibrated, that don’t look the same.

I can adjust the screen of my laptop as much as I like, with any screen calibrator, but it will never fully match my main monitor.

StudioMatch will help match brightness, whitepoint and gamma.

Or if like me, you’ve a lesser used monitor sitting beside your main one, you can manually tweak its setting to get a closer match.

This definitely goes against the principle of using the sensor to take measurements, but is there if you want it. I’d still say that manual adjustment like this should not be used for any display where colour accuracy is important.

My 2nd monitor used to have a lightly warmish pink tinge to darker greys which I’d happily correct with this, but the latest Spyder5 sensor and software have produced a much closer match without the need for any additional adjustment.

Datacolor Spyder5pro

Display gamut

Look at the blue and red triangles below. These give an idea of how large the range of colours is that you can display on a particular monitor. Both are well down on the range associated with the Adobe98 colour space, but the blue is smaller than the red.

This suggests that my second monitor has a smaller gamut – it just can’t display the same range of colours. As such, with a brightly coloured image you’ll never get a perfect match. With greyscale and less saturated images, any match could be closer.

Using the Spyder – projectors

I tested projector profiling with my Sony LCD based projector. With projector profiling you don’t set a luminance – you want it as bright as it will go (OK, a reduced brightness setting on the projector may well extend the life of your bulb).

I also set the projector to its native whitepoint – in a darkened room, your viewers eyes will adapt to see white on the projected image as white.

For my own projector, the Spyder sensors (S3 and S4) and software have always given the best calibrations in terms of smoothness and detail. The Spyder5 Elite once again gets the job for this projector (it’s the one I use for many of my talks and lectures).

Despite what you might think, the sensor is placed in front of the screen, so its shadow is in its field of view.

More advanced features

There are a number of additional features in the Spyder5 Elite software that may be of interest to advanced users.

Something you might want to try, if you’re really curious, is the full set of display analysis tools.

There are also some specific tools available

One is a colorimeter tool, is included to take measurements of particular colours on the screen. What may well be of interest for people looking at a more advanced proofing setup is that you can use it to measure light sources.

Here’s the results from measuring the light in my PDV viewing cabinet. Note in particular, the Kelvin reading of 5723K.

I could (if I had a better monitor) reduce my chosen whitepoint to ~5700K and probably get a better match between my screen and prints. I’m going to assume however that if you’re going to these lengths, you know the potential pitfalls and benefits.

Conclusions

Buying the Spyder5 Elite

We make a specific point of not selling hardware, but if you found the review of help please consider buying the Spyder, or any other items at all, via our links with Amazon or B&H
Amazon UK link / Amazon Fr / Amazon De
Amazon USA link / Amazon Canada link

It won’t cost any more (nor less we’re afraid) but will contribute towards the running costs of our site.

Spyder5 Elite at B&H Adorama Amazon.com Amazon UK Wex (UK)

The Spyder5Elite offers the widest range of options of the Spyder5 range (see below).

It’s the ideal choice if you need to calibrate projectors as well as monitors, or you want the flexibility offered in its range of profiling options, such as specialised setups for video editing.

The new sensor feels more robust and with its improved sensitivity at lower light levels should make for improved consistency and reliability. I’d expect to see this new sensor appearing with many high end monitors, which often have their own dedicated software.

What I always find refreshing about the Spyder software is the attention to detail, in offering interactive and more detailed help information. It’s easy to use for beginners and experts alike – there were no aspects of it that annoyed me from a usability point of view.

This is always a good sign, since in the past I spent several years doing usability research and consultancy, so have a very low tolerance for badly designed software…

The integrated tripod mount and clip-on base unit/counterweight make for a device that’s convenient to store, and it’s good to see packaging that is OK to keep for device storage.

Summary

Monitor calibrator with support for multiple monitor systems and projectors.

The user guide is available as a PDF

Requirements

• Windows 7 32/64, Windows 8.0, 8.1 32/64
• Mac OS X 10.7, 10.8, 10.9, 10.10
• Monitor resolution 1280×768 or greater, 16-bit video card (24 bit recommended), 1GB of available RAM, 500 MB of available hard disk
• Internet connection for software download
• USB port

Spyder5 functionality for different versions

Other

Comparing with the Spyder 3/4

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More colour management and printing related information

For information about printers, paper reviews and profiling (colour management) see the Printing section of the main printers and printing page, or use the search box at the top of any page.
All colour management articles and reviews are indexed on the main Colour Management page - please do let Keith know if you've any questions, either via the comments or just email us?

Some specific articles that may be of interest:

• Why don't my prints match my screen? A short article showing why there is more to getting your prints to match your screen, than just calibrating your monitor. It's the vital first step, but you do need to consider some other factors for best results.
• Why are my prints too dark - some basic suggestions to this common problem.

Articles below by Keith(Google's picks for matching this page)